Category Archives: Technique

Going through the motions

Here is a fascinating article from Science Daily about research into how dancers learn complicated routines. This research suggests that a technique known as marking — loosely practicing a routine by “going through the motions” — may improve the quality of dance performance by reducing the mental strain needed to perfect the movements.

Continue reading Going through the motions

The Moo Pahl Dan Khum – A Musculo-Skeletal Analysis

The Moo Pahl Dan Khum is a sequence of exercises based on the Chinese PaTuanTsin (Eight Precious Exercises) of Qi Gong that almost certainly derive from Taoist philosophy and practise in which the breath is of supreme importance and assumes almost mystical properties. Qi Gong practitioners assert that performing these exercises remove blockages to the flow of Chi. Continue reading The Moo Pahl Dan Khum – A Musculo-Skeletal Analysis

Background of Chil Sung Hyung

The Chil Sung (七 星) Hyung are the prime picture of the art of Soo Bahk Do™ Moo Duk Kwan™. Created in 1952 by Hwang Kee, Chang Shi Ja (CSJ), Chil Sung Hyung are the hallmark of the art of Soo Bahk Do™. They embody the knowledge Hwang Kee, CSJ acquired from decades of training and study. This essay will discuss the history, meaning, and character of the Chil Sung Hyung.

Read the full article by Brian Corrales Sa Bom Nim on Wasatch Martial Arts blog.

Proper Body Connection

In order to have proper body connection, it is important that each member of the body works together as one harmonious unit. Kwan Jang Nim Hwang often teaches the concept of “chain of command”.  The chain of command begins with your mind (general).  Your mind, or general, only speaks directly with your huri (waist).  Your waist is your physical center of gravity and should be the pivot point for all movement.  Nothing moves until your waist does.  The rest of your body must react to the movement of your huri.

Read the full article by Brian Corrales Sa Bom Nim on Wasatch Martial Arts blog.